CD: Lloyd Cole – Standards
The spirit of the Commotions is evoked as Eighties survivor ends a long silence
An attractive collection: Lloyd Cole’s ‘Standards’
Its the cross Lloyd Cole has to bear more than any songwriter of his vintage. His first album landed squarely in the record collections of sensitive young brainiacs in the Eighties and, at least to that constituency, nothing has ever quite matched up. To anyone whod had their fill of chaps in eyeliner plinking on synths and were seeking a Dylan for the Thatcher age, Rattlesnakes – with its jingle-jangle cod-philosophical noodlings fed through Coles gorgeously cracked larynx – was profoundly attractive.
Funnily enough, Standards is the product of a commission to review the septuagenarian Dylans Tempest for salon.com. Cole hadnt written in a while, and took His Bobnesss never-ending productivity as a rebuke. The result is an album that ticks a lot of the old boxes, with some lovely dad-rock flourishes. Blue Like Mars sounds like vintage Commotions, chugging along sinisterly until the old milksop floats away on a bed of choral backing. Though married since 1989, Cole still writes an elliptical break-up song: Silver Lake is a dreamy lament, while Myrtle and Rose sees off an old love with the longer you were gone, the less the longing. But this is as much the sound of contentment the vocals even include the odd bubblegum la-la-la, and only Kids Today (as in would you say theres something wrong with kids today?) hints at the inner codger.
Coles band marries old and new. Commotions keyboardist Blair Cowan is joined by Coles New York era rhythm section, bassist Matthew Sweet and drummer Fred Maher. Joan As Police Woman drops in on ivories and vocals, and theres a slot for Coles guitarist son Will. Together they make a distinctly American sound – rocky on Womens Studies and a cover of California Earthquake (written by John Hartford, first sung by Mama Cass), tender and twangy on No Truck and Its Late. And that voice is the same quizzical instrument it always was. In the nostalgic and highly allusive Period Piece (see video below) Cole sings, I am not afraid to die. If theres more where this attractive collection came from, then we must hope he holds off.
Publication: The Arts Desk
Publication date: 19/06/13